A3 PRESENTS: WASAK! Filipino Art Today

December 8, 2015 – January 30, 2016

Opening | Saturday | December 5, 2015, 12 - 6 pm

A group exhibition curated by Norman Crisologo and Erwin Romulo across two locations in Berlin at:

ARNDT Berlin Potsdamer Strasse 96 (Tue - Sat, 11am - 6pm)

ARNDT ART AGENCY A3 Fasanenstrasse 28 NEW PREMISES (Wed - Sat, 12 - 6pm)

Exhibiting artists: Zean Cabangis, Annie Cabigting, Buen Calubayan, Louie Cordero, Jigger Cruz, Marina Cruz, Kawayan De Guia, Alfredo Esquillo, Ian Fabro, Nona Garcia, Robert Langenegger, Pow Martinez, Manuel Ocampo, Alwin Reamillo, Norberto Roldan, Kaloy Sanchez, José Santos III, Rodel Tapaya, Tatong Torres and Ronald Ventura.

A publication has been published by DISTANZ Verlag to accompany the exhibition.

View the complete publication HERE.

The underlying motivation of the exhibition and accompanying publication in Berlin is to shed light on the fascinating contemporary art landscape in the Philippines. WASAK! explores Filipino contemporary art, in the hope of providing an emblematic contextual compendium for western audiences. Signaling the first instance of its kind, WASAK! thus offers snapshots of current artistic practices from the Philippines, uniting a selection of its leading protagonists across generational lines, genres, and media.

All of the 19 participating artists included have witnessed the social and political upheaval of Philippines’ recent history. Most of these artists spent their maturation grappling with local events that have transpired such as: natural disasters like earthquakes and floods; political unrest in the form of coup d’état and calls to presidential impeachments; political ineptitude in the form of corruption and briberies; and longstanding bouts with poverty and urban overpopulation. This selection of artists have nurtured, or at least, directed their ideas into the reality that is Manila, the nation’s capital, from where most of the country’s bizarre undulations spring.

Although much of their work is inspired by their own localities, these artists continue to seek their place among the rest of the world. Through the jumble and mess of their own ground zero—which is a country of broken histories, a nation of lush influences, and a people constantly having to live despite of something—their art continued to become, individually, more diverse and yet collectively, as a single exploded view. ‘Wasak’ is a Filipino word that means “in ruins.” When used in the vernacular, it means “wrecked,” or as a more encouraging interjection—it can also mean “going for broke.” It is a term that signals a hazard.
In this field of scattered landscapes, of broken narratives and loose continuity, what then could be ascribed as Philippine Art? The artists represented in WASAK! have come from the different potholes this gap has created, which explains the varying degrees how their work tries to explain not only a locality, but their own place in art history.

In a 1979 essay, one of the most influential Filipino art critic, Leo Benesa, asked the question: “What is Philippine in Philippine Art?” Knowing how any kind of art from any other place cannot escape the influence of the Western canon, he settled with a more optimistic response in implying that the intention of the artist to paint well is what makes them Filipino: “Painters first, and bearers of message, second,” he concluded. The majority of the artists in the show have chosen painting as their primary medium, with a few exceptions that have dealt primarily with assemblage and sculpture. In looking at their paintings, trying to find out what special place they hold, we can follow Benesa’s prescription—to look at the form first, and then deal with the message later. To try to understand, before anything else, that their intention is to do something which is relevant for them, before handing out a prognosis that casts them as representatives of an aesthetic sensibility, a socio-historical period, or worse, a movement.

The 19 artists covered in WASAK! provide us with an opportunity to experience the different directions they have wandered into—a chance to view a small course of history that is finding its way into the arts.

ARNDT Berlin
Potsdamer Strasse 96
10785 Berlin
info@arndtberlin.com
+49 30 2061 3870

ARNDT ART AGENCY A3
Fasanenstrasse 28
10719 Berlin
contact@arndtartagency.com
+49 30 2061 3870

PRESS

Randian | WASAK! | 7 April, 2016

Coconuts Manila | There’s an exhibit of PH contemporary art in Berlin and it’s called…'Wasak' | 15 January 2016

Zitty Berlin | „Wasak!“ zeigt Bilder aus einem katholischen Asien | 14 January 2016

Art Radar | WASAK! Filipino Art Today at ARNDT Berlin | 12 January 2016

Kunst und Film | WASAK! Filipino Art Today | January 2016

Artsy | ARNDT Explores the Complexities of Filipino Art in New Berlin Gallery Space | 12 January 2016

Financial Times | The Art Market: All about agencies | 18 December 2015

Blouin artinfo | ARNDT Opens new Berlin Venue With Filipino Art Shows | 11 December 2015

Taz | Kunstraum | Land der Brüche - Kunst aus den Philippinen | 10 December 2015

Artnet | Arndt Gallery Opens New Upmarket Location in West Berlin | 3 December 2015

Inquirer | Filipino Art Exhibit WASAK! to open new gallery in Berlin  | 26 November 2015

Installation view, WASAK! Filipino Art Today, ARNDT Berlin, 2015  Installation view, WASAK! Filipino Art Today, ARNDT Berlin, 2015
Installation view, WASAK! Filipino Art Today, ARNDT Berlin, 2015 Installation view, WASAK! Filipino Art Today, ARNDT Berlin, 2015
Installation view, WASAK! Filipino Art Today, ARNDT Berlin, 2015 Installation view, WASAK! Filipino Art Today, ARNDT Berlin, 2015
Installation view, WASAK! Filipino Art Today, ARNDT Berlin, 2015 Installation view, WASAK! Filipino Art Today, ARNDT Berlin, 2015
Installation view, WASAK! Filipino Art Today, ARNDT Berlin, 2015 Installation view, WASAK! Filipino Art Today, ARNDT Berlin, 2015
Installation view, WASAK! Filipino Art Today, ARNDT Berlin, 2015 Installation view, WASAK! Filipino Art Today, ARNDT Berlin, 2015
Installation view, WASAK! Filipino Art Today, ARNDT Berlin, 2015 Installation view, WASAK! Filipino Art Today, ARNDT Berlin, 2015
Installation view, WASAK! Filipino Art Today, ARNDT ART AGENCY (A3), 2015  Installation view, WASAK! Filipino Art Today, ARNDT ART AGENCY (A3), 2015
Installation view, WASAK! Filipino Art Today, ARNDT ART AGENCY (A3), 2015  Installation view, WASAK! Filipino Art Today, ARNDT ART AGENCY (A3), 2015
Installation view, WASAK! Filipino Art Today, ARNDT ART AGENCY (A3), 2015  Installation view, WASAK! Filipino Art Today, ARNDT ART AGENCY (A3), 2015
Installation view, WASAK! Filipino Art Today, ARNDT ART AGENCY (A3), 2015  Installation view, WASAK! Filipino Art Today, ARNDT ART AGENCY (A3), 2015
Installation view, WASAK! Filipino Art Today, ARNDT ART AGENCY (A3), 2015  Installation view, WASAK! Filipino Art Today, ARNDT ART AGENCY (A3), 2015
Installation view, WASAK! Filipino Art Today, ARNDT ART AGENCY (A3), 2015  Installation view, WASAK! Filipino Art Today, ARNDT ART AGENCY (A3), 2015
Rodel Tapaya, The Sitter, 2015, acrylic on canvas, 183 × 122 cm, TAPA0120 Rodel Tapaya, The Sitter, 2015, acrylic on canvas, 183 × 122 cm, TAPA0120 Rodel Tapaya, The Master and the Apprentice, 2015, acrylic on canvas, 183 × 228 cm, TAPA0119 Rodel Tapaya, The Master and the Apprentice, 2015, acrylic on canvas, 183 × 228 cm, TAPA0119 Norberto Roldan, Mestiza (2), 2015, Oil and acrylic on canvas, 213 x 152 each panel / 213 x 304 cm, diptych, ROLD0010 Norberto Roldan, Mestiza (2), 2015, Oil and acrylic on canvas, 213 x 152 each panel / 213 x 304 cm, diptych, ROLD0010 Norberto Roldan, Hex, 2015, Salvaged 17th century wooden statue of Archangel Raphael and other architectural debris from a typhoon damaged church from Southern Philippines, 18th century Catholic vestment newly hand-embroidered with Philippine millenarian symbols and prayers, metal amulet, vintage damask fabric, beeswax and lighting fixture on panel,  183 x 122 cm each panel / 183 x 244 cm, diptych, ROLD0011 Norberto Roldan, Hex, 2015, Salvaged 17th century wooden statue of Archangel Raphael and other architectural debris from a typhoon damaged church from Southern Philippines, 18th century Catholic vestment newly hand-embroidered with Philippine millenarian symbols and prayers, metal amulet, vintage damask fabric, beeswax and lighting fixture on panel, 183 x 122 cm each panel / 183 x 244 cm, diptych, ROLD0011 Pow Martinez, Cyclops Weapon, 2015, oil on canvas, 213 × 183 cm, MART0006 Pow Martinez, Cyclops Weapon, 2015, oil on canvas, 213 × 183 cm, MART0006 Pow Martinez, Hearing Faces, 2015, oil on canvas, 183 × 152 cm, MART0005 Pow Martinez, Hearing Faces, 2015, oil on canvas, 183 × 152 cm, MART0005 Pow Martinez, Pale Rider, 2015, oil on canvas, 152 × 122 cm, MART0004 Pow Martinez, Pale Rider, 2015, oil on canvas, 152 × 122 cm, MART0004 Pow Martinez, We Come In Peace, 2015, oil on canvas, 182 × 244 cm, MART0003 Pow Martinez, We Come In Peace, 2015, oil on canvas, 182 × 244 cm, MART0003 Zean Cabangis, It Took Us So Long To Get Here II, 2015, 60,96 × 91,44 cm, Acrylic and emulsion transfer on canvas, CABA0004 Zean Cabangis, It Took Us So Long To Get Here II, 2015, 60,96 × 91,44 cm, Acrylic and emulsion transfer on canvas, CABA0004 Zean Cabangis, It Took Us So Long To Get Here I, 2015,  60,96 × 91,44 cm, Acrylic and emulsion transfer on canvas, CABA0003 Zean Cabangis, It Took Us So Long To Get Here I, 2015, 60,96 × 91,44 cm, Acrylic and emulsion transfer on canvas, CABA0003 Zean Cabangis, Consume,  Acrylic and emulsion transfer on canvas, 243,84 × 182,88 cm, CABA0002 Zean Cabangis, Consume, Acrylic and emulsion transfer on canvas, 243,84 × 182,88 cm, CABA0002 Annie Cabigting, Kunstmuseum, 2015, oil on canvas, 152,4 × 152,4 cm, CABI0002 Annie Cabigting, Kunstmuseum, 2015, oil on canvas, 152,4 × 152,4 cm, CABI0002 Annie Cabigting, MOMA, 2015, oil on canvas, 152,4 × 152,4 cm, CABI0003 Annie Cabigting, MOMA, 2015, oil on canvas, 152,4 × 152,4 cm, CABI0003 Annie Cabigting, Liste, 2015, oil on canvas , 152,4 × 152,4 cm, CABI0001 Annie Cabigting, Liste, 2015, oil on canvas , 152,4 × 152,4 cm, CABI0001 Marina Cruz, Blue and White with Pink Under, 2015, oil on canvas, 122 × 102 cm, MCRU0002 Marina Cruz, Blue and White with Pink Under, 2015, oil on canvas, 122 × 102 cm, MCRU0002 Marina Cruz, Stains and Spots, 2015, oil on canvas, 157 × 132 cm, MCRU0003 Marina Cruz, Stains and Spots, 2015, oil on canvas, 157 × 132 cm, MCRU0003 Marina Cruz, White Patterns on Red, 2015, oil on canvas, 157 × 127 cm, MCRU0004 Marina Cruz, White Patterns on Red, 2015, oil on canvas, 157 × 127 cm, MCRU0004 Ian Fabro, Will i turn too into a pillar of salt?, 2015, Mixed media on paper, 213 × 91 cm, FABR0004 Ian Fabro, Will i turn too into a pillar of salt?, 2015, Mixed media on paper, 213 × 91 cm, FABR0004 2015, The cold Earth slept below, above the cold sky shone, Mixed media on paper, 213 × 91 cm, FABR0003 2015, The cold Earth slept below, above the cold sky shone, Mixed media on paper, 213 × 91 cm, FABR0003 Ian Fabro, All Heads Turn When The Hunt Goes By, 2015,  Ink on paper collage with staple wire, 201 × 79 cm, FABR0001 Ian Fabro, All Heads Turn When The Hunt Goes By, 2015, Ink on paper collage with staple wire, 201 × 79 cm, FABR0001 Ian Fabro, The Words where nicks so light, Mosquito Bites were war, 2015  , Mixed media on paper, 213 × 91 cm, FABR0002 Ian Fabro, The Words where nicks so light, Mosquito Bites were war, 2015 , Mixed media on paper, 213 × 91 cm, FABR0002 José Santos III, Isaw Series no. 1, 2015, 45.72 x 487.68 x 15.24cm (2 panels) / 45.72 x 210.82 x 15.24 cm (1st panel) / 45.72 x 276.86 x 15.24 cm (2nd panel),  Charcoal, acrylic and oil on canvas, SANT0001 José Santos III, Isaw Series no. 1, 2015, 45.72 x 487.68 x 15.24cm (2 panels) / 45.72 x 210.82 x 15.24 cm (1st panel) / 45.72 x 276.86 x 15.24 cm (2nd panel), Charcoal, acrylic and oil on canvas, SANT0001 Ronald Ventura, Shadows, 2015, Fiberglass, resin, metal, 228,6 × 101,6 × 152,4 cm, VENT0002 Ronald Ventura, Shadows, 2015, Fiberglass, resin, metal, 228,6 × 101,6 × 152,4 cm, VENT0002 Ronald Ventura, Manstar, 2013-2015, oil on canvas, Painting: 213 × 152 cm, Overall dimensions: 280 x 216 cm (framed in unique cast resin artist frame), VENT0001 Ronald Ventura, Manstar, 2013-2015, oil on canvas, Painting: 213 × 152 cm, Overall dimensions: 280 x 216 cm (framed in unique cast resin artist frame), VENT0001 Nona Garcia, Gateway, 2015, oil on canvas, 182,8 × 243,8 cm, GARC0006 Nona Garcia, Gateway, 2015, oil on canvas, 182,8 × 243,8 cm, GARC0006 Kawayan de Guia, First Encounter, 2015, Acrylic, enamel, canvas, wood, paper, resin, brass, brass bells, bones, 213,3 × 182,8 cm, GUIA0004 Kawayan de Guia, First Encounter, 2015, Acrylic, enamel, canvas, wood, paper, resin, brass, brass bells, bones, 213,3 × 182,8 cm, GUIA0004 Kawayan de Guia, Lucky Pilipiñas, 2015, Acrylic, canvas, wood, paper, resin, brass, objects, bones, taxidermy, metallic tape, ink on paper, 213,3 × 182,8 cm, GUIA0005 Kawayan de Guia, Lucky Pilipiñas, 2015, Acrylic, canvas, wood, paper, resin, brass, objects, bones, taxidermy, metallic tape, ink on paper, 213,3 × 182,8 cm, GUIA0005 Alfredo Esquillo, Empire, Lost and Found, 2015, Fiberglass reinforced resin, metal, wood, 2 works 305 x 81 x 170 cm / 1 work 223,5 x 76,6 x 170 cm, ESQU0011 Alfredo Esquillo, Empire, Lost and Found, 2015, Fiberglass reinforced resin, metal, wood, 2 works 305 x 81 x 170 cm / 1 work 223,5 x 76,6 x 170 cm, ESQU0011 Buen Calubayan, Biowork - Mount Banahaw, 2015, oil on canvas, 121,92 × 152,4 cm, CALU0004 Buen Calubayan, Biowork - Mount Banahaw, 2015, oil on canvas, 121,92 × 152,4 cm, CALU0004 Buen Calubayan, Genius & Ambition (Landscape), 2014, oil on canvas, 49,5 x 59,5 cm, framed, CALU0003 Buen Calubayan, Genius & Ambition (Landscape), 2014, oil on canvas, 49,5 x 59,5 cm, framed, CALU0003 Kaloy Sanchez, The Castle, 2015, Acrylic and graphite on paper, 152,4 × 121,9 cm, SANC0009 Kaloy Sanchez, The Castle, 2015, Acrylic and graphite on paper, 152,4 × 121,9 cm, SANC0009 Jigger Cruz, Untitled, 2015, Oil on wood , 118 × 39 × 42 cm, CRUZ0065 Jigger Cruz, Untitled, 2015, Oil on wood , 118 × 39 × 42 cm, CRUZ0065 Jigger Cruz, Untitled, 2015, Oil on canvas on wood, 171 × 141 × 5 cm, CRUZ0064 Jigger Cruz, Untitled, 2015, Oil on canvas on wood, 171 × 141 × 5 cm, CRUZ0064 Kawayan de Guia, First Encounter, 2015, Acrylic, enamel, canvas, wood, paper, resin, brass, brass bells, bones, 213,3 × 182,8 cm, GUIA0004 Kawayan de Guia, First Encounter, 2015, Acrylic, enamel, canvas, wood, paper, resin, brass, brass bells, bones, 213,3 × 182,8 cm, GUIA0004 Kawayan de Guia, Lucky Pilipiñas, 2015, Acrylic, canvas, wood, paper, resin, brass, objects, bones, taxidermy, metallic tape, ink on paper, 213,3 × 182,8 cm, GUIA0005 Kawayan de Guia, Lucky Pilipiñas, 2015, Acrylic, canvas, wood, paper, resin, brass, objects, bones, taxidermy, metallic tape, ink on paper, 213,3 × 182,8 cm, GUIA0005